An overview of the theoretical and institutional history of the discipline of art history which refutes the image of art history as in crisis, asserting rather that many of the dilemmas of the discipline today can be traced back to its founding, institutionalization and expansion since the 1870s.

In this book, John Gribbin tells the story of the people who made science and the turbulent times they lived in. As well as famous figures such as Copernicus, Darwin and Einstein, there are also the obscure, the eccentric, even the mad. This diverse cast includes, among others, Andreas Vesalius, landmark 16th-century anatomist and secret grave-robber; the flamboyant Galileo, ac...(展开全部)

在线阅读本书 History means many things to many people. But finding an answer to the question 'What is history?' is a task few feel equipped to answer nowadays. And yet, at the same time, history has never been more popular - whether in the press, on the television or at the movies. In understanding our present it seems we cannot escape the past. So if you want to explore this tantal...(展开全部)

凱斯．詹京斯 （Keith Jenkins） 英國史學家。曾任教於西蘇薩克斯高等教育暨史學方法研究院，現任齊切斯特研究所歷史高級講師，及研究所教育資格檢定（PGCE）史學方法導師。致力於後現代主義史學觀念的探討及歷史教育的發展。 著有《後現代歷史學－從卡耳和艾爾頓到羅逖與懷特》（ON「WHAT IS HISTORY」：From Carr and Elton to Rorty and White）等書。

When we view a work of art, we often experience an emotional response, but the causes of our reactions are complex. Our knowledge of why we respond to art as we do is rooted in science—in psychology and biology. Eric R. Kandel traces the origins of this understanding to early twentieth-century Vienna, which gave rise to the concept of the “beholder’s share,” the realization tha...(展开全部)

Originally published in 1963, this book was the first volume to be published in the author's long and distinguished series of collected essays. In it he addresses fundamental questions about the nature of artistic achievement, the criteria of artistic value, and the role of language in understanding and interpreting images. These essays explore the problematic character of meta...(展开全部)

Originally published in 1963, this book was the first volume to be published in the author's long and distinguished series of collected essays. In it he addresses fundamental questions about the nature of artistic achievement, the criteria of artistic value, and the role of language in understanding and interpreting images. These essays explore the problematic character of meta...(展开全部)

An authoritative history of art history from its medieval origins to its modern predicaments In this wide-ranging and authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of wr...(展开全部)

An authoritative history of art history from its medieval origins to its modern predicaments In this wide-ranging and authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of wr...(展开全部)

何塞•奥尔特加•伊•加塞特(1883-1955)，20世纪西班牙哲学家、思想家、文艺批评家、随笔作家。其作品涵盖存在主义、历史哲学、艺术理论、文学理论、对西班牙民族性的批判等方面。奥尔特加的著述在西语世界乃至20世纪西方思想史中占有重要地位。代表作有《大众的反叛》《堂吉诃德沉思录》《艺术的去人性化》等。 王军，北京大学西葡语系教授，主要从事西语国家文学研究。著作有《诗与思的激情对话》《二十世纪西班牙小说》《西班牙当代女性成长小说》。 蔡潇洁，文学博士，首都师范大学西班牙语系副教授，主要从事现当代西班牙文学与文化研究。